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  Joe lived on Pog Hill Lane, one of a row of uneven terraces backing on to the railway half a mile from the station. Jay had already been there twice before, leaving his bike in a stand of bushes and climbing up the banking to reach the railway bridge. On the far side there were fields reaching down to the river, and beyond that lay the open-cast mine, the sound of its machinery a distant drone on the wind. For a couple of miles an old canal ran almost parallel to the railway, and there the stagnant air was green with flies and hot with the scent of ash and greenery. A bridle path ran between the canal and the railway, overhung with tree branches. Nether Edge to the townspeople, it was almost always deserted. That was why it first attracted him. He bought a packet of cigarettes and a copy of the Eagle from the station newspaper stand and cycled down towards the canal. Then, leaving his bike safely concealed in the undergrowth, he walked along the canal path, pushing his way through great drifts of ripe willowherb and sending clouds of white seeds into the air. When he reached the old lock, he sat down on the stones and smoked as he watched the railway, occasionally counting the coal trucks as they passed, or making faces at the passenger trains as they clattered to their distant, envied destinations. He threw stones into the clotted canal. A few times he walked all the way to the river and made dams with turf and the accumulated garbage it had brought with it: car tyres, branches, railway sleepers and once a whole mattress with the springs poking out of the ticking. That was really how it began; the place got a hold on him somehow. Perhaps because it was a secret place, an old, forbidden place. Jay began to explore; there were mysterious raised concrete-and-metal cylinders, which Joe later identified as capped pitheads and which gave out strange resonant breathing sounds if you went close. A flooded mineshaft, an abandoned coal truck, the remains of a barge. It was an ugly, perhaps a dangerous place, but it was a place of great sadness, too, and it attracted him in a way he could neither combat nor understand. His parents would have been horrified at his going there, and that, too, contributed to its appeal. So he explored; here an ash pit filled with ancient shards of crockery, there a spill of exotic, discarded treasures – bundles of comics and magazines, as yet unspoiled by rain; scrap metal; the hulk of a car, an old Ford Galaxie, a small elder tree growing out of its roof like a novelty aerial; a dead television. Living alongside a railway, Joe once told him, is like living on a beach; the tide brings new jetsam every day. At first he hated it. He couldn’t imagine why he went there at all. He would set out with the intention of taking a quite different route and still find himself in Nether Edge, between the railway and the canal, the sound of distant machinery droning in his ears and the whitish summer sky pushing down the top of his head like a hot cap. A lonely, derelict place. But his, nevertheless. Throughout all that long, strange summer, his. Or so he assumed.

  5

  London, Spring 1999

  HE WOKE UP LATE THE NEXT DAY TO FIND KERRY ALREADY GONE, leaving a short note, through which the disapproval showed like a watermark. He read it idly, without interest, and tried to remember what had happened the night before.

  J – Don’t forget the reception at Spy’s tonight – it’s very important for you to he there! Wear the Armani – K.

  His head ached, and he made strong coffee and listened to the radio as he drank it. He didn’t remember a great deal – so much of his life seemed to be like this now, a blur of days without anything to define them from each other, like episodes of a soap he watched out of habit, even though none of the characters interested him. The day stretched out in front of him like an empty road in the desert. He had a tutorial that evening, but was already considering whether to miss it. It was all right; he’d missed tutorials before. It was almost expected of him now. Artistic temperament. He grinned briefly at the irony.

  The bottle of Joe’s wine was standing where he had left it on the table. He was surprised to see it still over half full. Such a small quantity seemed too little to account for his pounding hangover and the dreams which finally chased him into sleep as dawn bled into the sky. The scent from the empty glass was faint but discernible, a sweetly medicinal scent, soothing. He poured a glassful.

  ‘Hair of the dog,’ he muttered.

  This morning it was only vaguely unpleasant, almost tasteless. A memory stirred at the back of his mind, but it was too distant to identify.

  The door rattled suddenly and he turned round, feeling obscurely guilty, as if caught out. But it was only the post, half pushed through the letter box and spilling onto the mat. Through the glass door a square of sunlight illuminated the top envelope, as if marking it for his special attention. Probably junk mail, he told himself. Nowadays he rarely ever received anything else. And yet, by a trick of the light, the envelope seemed to glow, giving the single word stencilled across it a new, brilliant significance: ‘ESCAPE’. As if a door could be opened from the London dawn into another world, where every possibility remained to be played out. He stooped to pick up the bright rectangle, opened it.

  His first thought was that it was indeed junk mail. A cheaply produced brochure entitled HOLIDAY HIDEAWAYS, GREAT ESCAPES, blurry snapshots of farmhouses and gîtes interspersed with blocks of text. ‘This charming cottage only five miles from Avignon … This large converted farmhouse in its own grounds … This sixteenth-century barn in the heart of the Dordogne …’ The pictures were all the same: rustic cottages under Disney-coloured skies, women in headscarves and white coiffes, men in berets herding goats onto impossibly green mountainsides. He dropped the brochure onto the table with an odd sense of disappointment, feeling cheated, as if something as yet unknown had passed him by. Then he caught sight of the picture. The brochure had fallen open at the centre page, a double-page spread of a house which looked curiously familiar. A large square-built house, with pinkish, faded walls and a red-tiled roof. Beneath it, the words, ‘Château Foudouin, Lot-et-Garonne.’ Above it, in red, like a neon marker, ‘FOR SALE’.

  The surprise at seeing it there, so unexpectedly, made his heart lurch. A sign, he told himself. Coming now, at this moment, it had to be. It had to be a sign.

  He looked at the picture for a long time. It was not exactly Joe’s château, he decided after some scrutiny. The lines of the building looked slightly different, the roof more sloping, the windows narrower and set deeper into the stone. And it was not in Bordeaux but in the next county altogether, a few miles from Agen, on a small offshoot of the river Garonne, the Tannes. Still, it was close. Very close. It couldn’t be a coincidence.

  Below stairs the strangers had subsided into eerie, expectant silence. Not a whisper, not a rattle or a hiss escaped them.

  Jay looked at the picture intently. Above it the neon sign flashed relentlessly, enticingly.

  FOR SALE.

  He reached for the bottle and poured himself another glass.

  6

  Pog Hill, July 1975

  THAT SUMMER MOST OF JAY’S LIFE WENT ON UNDERCOVER, LIKE a secret war. On rainy days he sat in his room and read the Dandy or the Eagle and listened to the radio with the volume turned right down, pretending he was doing homework, or wrote blisteringly intense short stories with titles like ‘Flesh-Eating Warriors of the Forbidden City’ or ‘The Man who Chased the Lightning’.

  He was never short of money. On Sundays he earned twenty pee washing his grandfather’s green Austin, the same for mowing the lawn. His parents’ brief, infrequent letters were invariably accompanied by a postal order, and he spent this unaccustomed wealth with gleeful, gloating defiance. Comics, bubble gum, cigarettes if he could get them; anything which might have incurred the disapproval of his parents attracted him. He kept his treasures in a biscuit tin by the canal, telling his grandparents he put his money in the bank. Technically this was not a lie. A loose stone by the remains of the old lock, worked carefully free, left a space maybe fifteen inches square, into which the tin could be slotted. A square of turf, cut from the banking with a penknife, concealed the entrance. For the first fortnight of the holiday he went the
re almost every day, basking on the flat stones of the jetty and smoking, reading, writing stories in one of an endless series of close-scripted notebooks, or playing his radio at full volume into the bright sooty air. His memories of that summer were illumined in sound: Pete Wingfield singing ‘Eighteen with a Bullet’, or Tammy Winette and ‘D.I.V.O.R.C.E.’. He sang along much of the time, or played air guitar and pulled faces at an invisible audience. It was only later that he realized how reckless he had been. The dump was easily within earshot of the canal, and Zeth and his gang might have come upon him at any time during those two weeks. They might have found him snoozing on the bank or cornered in the ash pit – or worse, with the treasure box left carelessly open. Jay never considered that there might be other boys in his territory. Never imagined that this might already be someone’s territory, someone tougher and older and altogether more streetwise than himself. He had never been in a fight. The Moorlands School discouraged such marks of poor breeding. His few London friends were distant and reserved, ballet-class and pony girls, army-cadet boys with perfect teeth. Jay never quite fitted in. His mother was an actress whose career had dead-ended in a TV sitcom called Oooh! Mother! about a widower caring for his three teenage children. Jay’s mother played the part of the interfering landlady, Mrs Dykes, and much of his adolescence was made hideous by people stopping them in the street and yelling her screen catchphrase, ‘Oooh, am I interruptin’ somethin’?’

  Jay’s father, the Bread Baron who made his fortune with Trimble, a well-known slimmers’ loaf, had never quite made enough money to make up for his lack of pedigree, hiding his insecurity behind a façade of bluff, cigar-smoking cheer. He, too, embarrassed Jay, with his East-End vowels and shiny suits. Jay had always seen himself as a different species, as something hardier, nearer to the raw. He couldn’t have been more wrong.

  There were three of them. Taller than Jay and older-fourteen, maybe fifteen – with a peculiar swing to their walk as they strolled along the canal towpath, a cocky strut which marked the territory as their own. Instinctively Jay snapped off his radio and crouched in the shadows, resentful of the proprietary air with which they lolled on the jetty, one crouching to poke at something in the water with a stick, another popping a match against his jeans to light up a cigarette. He watched them warily from the shadow of a tree, hackles pricking. They looked dangerous, clannish in their jeans, zip-up boots and cut-off T-shirts, members of a tribe to which Jay could never belong. One of them – a tall, lanky boy – was carrying an air rifle, slung carelessly into the crook of his arm. His face was broad and angry with spots at the jawline. His eyes were ball-bearings. One of the others had his back half turned, so that Jay could see the roll of his paunch poking out from beneath his T-shirt, and the broad band of his underpants above his low-slung jeans. The underpants had little aeroplanes on them, and for some reason that made Jay want to laugh, silently at first into his curled fist, then with a high, helpless squawk of mirth.

  Aeroplanes turned round at once, his face slack with surprise. For a second the two boys faced each other. Then he shot out his hand and grabbed Jay by the shirt.

  ‘What the fuck thar doin ere?’

  The other two were watching with hostile curiosity. The third boy – a spidery youth with extravagant sideburns – took a step forwards and poked Jay hard in the chest with an extended knuckle.

  ‘Ast thee a question, dinty?’

  Their language sounded alien, almost incomprehensible, a cartoonish babble of vowels, and Jay found himself smiling again, close to laughter, unable to help himself.

  ‘Atha deaf as well as daft?’ demanded Sideburns.

  ‘I’m sorry,’ said Jay, trying to pull free. ‘You just came out of nowhere. I didn’t mean to scare you.’

  The three looked at him with even greater intensity. Their eyes looked the same non-colour as the sky, a peculiar shifting grey. The tall boy stroked the butt of his rifle in a suggestive gesture. His expression was curious, almost amused. Jay noticed he had tattooed letters on the back of his hand, one letter pricked out across each of his knuckles to form a name or nickname: ZETH. This was no professional job, he understood. The boy had written it himself, using a compass and a bottle of ink. Jay had a sudden, startling vision of him doing it, with a dogged grimace of satisfaction, one sunny afternoon at the back of a maths or English class, with the teacher pretending not to see, even though Zeth wasn’t bothering to hide. It was easier that way, the teacher thought. Safer.

  ‘Scare us?’ The bright ball-bearing eyes rolled in counterfeit humour.

  Sideburns sniggered.

  ‘Astha gotta fag, mate?’ Zeth’s voice was still light, but Jay noticed Aeroplanes had not yet released his shirt.

  ‘A cigarette?’ He began to fumble in his pocket, clumsy with the need to get away, and pulled out a packet of Player’s. ‘Sure. Have one.’

  Zeth took two and passed the packet to Sideburns, then to Aeroplanes.

  ‘Hey, keep the packet,’ said Jay, beginning to feel light-headed.

  ‘Matches?’ He pulled the box from his jeans and held it out.

  ‘Keep them, too.’

  Aeroplanes winked as he lit up, a somehow greasy, appraising look. The other two drew a little closer.

  ‘Astha got any spice, anall?’ asked Zeth pleasantly. Aeroplanes began to finger nimbly through Jay’s pockets.

  It was already too late to struggle. A minute earlier and he might have had the advantage of surprise, might have been able to duck between them towards the jetty and up onto the railway. Now it was too late. They had scented fear. Eager hands searched Jay’s pockets with greedy, delicate fingers. Chewing gum, a couple of wrapped sweets, coins, all the contents of his pockets rolled into their cupped hands.

  ‘Hey, get off there! Those things are mine!’

  But his voice was trembling. He tried to tell himself that it didn’t matter, that he could let them have the stuff – most of it was worthless, anyway – but that didn’t stop the bleak, hateful feeling of helplessness, of shame.

  Then Zeth picked up the radio.

  ‘Nice,’ he commented.

  For a moment Jay had forgotten all about it; lying in the long grass under the shade of the trees it was almost invisible. A trick of the light, maybe, a freak reflection on the chrome, or just plain bad luck, but Zeth saw it, bent and picked it up.

  ‘That’s mine,’ said Jay, almost inaudibly, his mouth filled with needles. Zeth looked at him and grinned.

  ‘Mine,’ Jay whispered.

  ‘Course it is, mate,’ said Zeth amicably and held it out.

  Their eyes met above the radio. Jay put out his hand, almost pleadingly. Zeth withdrew the radio, just a little, then drop-kicked it with incredible speed and accuracy over their heads in a wide, gleaming arc into the air. For a second it gleamed there, like a miniature spaceship, then it crashed on the stone lip of the jetty and smattered into a hundred plastic and chrome fragments.

  ‘And it’s a goo-aal!’ shrieked Sideburns, beginning to dance and caper amongst the wreckage. Aeroplanes chuckled sweatily. But Zeth just looked at Jay with the same curious expression, one hand resting on the butt of his air rifle, his eyes cool and oddly sympathetic, as if to say, What now, mate? What now? What now?

  Jay could feel his eyes getting hotter and hotter, as if the tears gathering there were made of molten lead, and he struggled to stop them from spilling over onto his cheeks. He glanced at the pieces of the radio twinkling on the stones and tried to tell himself it didn’t matter. It was just an old radio, nothing worth getting beaten up for, but the rage inside him wouldn’t listen. He took a step towards the lock, then turned back, without even thinking, and swung as hard as he could towards Zeth’s patient, amused face. Aeroplanes and Sideburns were on Jay at once, punching and kicking, but not before he had launched a good solid kick into the pit of Zeth’s stomach, which connected as his first awkward punch had not. Zeth gave a wheezing scream and curled up on the ground. Aeroplanes tried to grab Jay a
gain, but he was slippery with sweat and managed to duck under the other boy’s arm. Skidding on the remains of his broken radio he made for the path, dodged Sideburns, slid down the banking and across the bridle path towards the railway bridge. Someone was shouting after him, but distance and the thick local dialect made the words indistinguishable, though the threat was clear. When he reached the top of the banking, Jay kissed his middle finger at the three distant figures, dug his bike out of the undergrowth where he had hidden it, and in a minute was riding back towards Monckton. His nose was bleeding and his hands were torn from his dive through the bushes, but he was singing inside with triumph. Even his dismay over the loss of the radio was temporarily forgotten. Perhaps it was that wild, almost magical feeling that drew him to Joe’s house that day. He told himself later that it was simply chance, that there was nothing in his mind at all but the desire to ride into the wind, but he thought later that it might have been some kind of crazy predestination which pulled him there, a kind of call. He felt it, too, a wordless voice of exceptional clarity and tone, and for a moment he saw the street sign – POG HILL LANE – light up briefly in the glow of the reddening sun, as if somehow marked for his attention, so that instead of cycling past the narrow mouth of the street, as he had done so many times before, he stopped and wheeled his bike slowly back to stare over the brick wall, where an old man was cutting jackapples to make wine.

  7

  London, March 1999

  THE AGENT MUST HAVE SCENTED HIS EAGERNESS. THERE WAS already a bid on the house, he said. A little below the asking price. The contracts had already been drawn up. But if Jay was interested there were other properties available. The information, true or false, made Jay reckless. It had to be this house, he insisted. This house. Now. In cash, if they liked.